Masque Sound Lights Up Broadway with Natasha, Pierre, & The Great Comet Of 1812


NEW YORK, FEBRUARY 21, 2017 — When Broadway’s Imperial Theatre was transformed for the 360-degree musical, NATASHA, PIERRE & THE GREAT COMET of 1812, Sound Designer Nicholas Pope was presented with some serious audio challenges. To start, he had the daunting task of delivering an exceptional sonic experience to everyone in attendance at what is a uniquely laid out theatre. To help him meet some of the show’s hefty audio demands, he turned to Masque Sound, a leading theatrical sound reinforcement, installation and design company, for a custom audio equipment package.

In designing the sound for the show, Pope was driven by the musical’s artistic side. “Often in the sound design world, I see a disembodiment of the voice, which I don’t like,” explains Pope. “I think it removes the audience members from the performers to a certain degree and I wanted to ensure on this…



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